The
use of mise-en-sence in the opening scene of Moulin Rouge was used to
enhance the emotions portrayed by the main character, Christian. The
beginning of the scene was shown in a dark sepia, creating a gloomy
tone to the film, however at Christian's flat as he begins writing,
the scene turns to colour as if he was coming out of the darkness and
a cold blue tone coming from the outside showing the audience that it
is sad and cold. As the scene progresses to the Moulin Rouge, the
colour red is dominantly used to show the audience that Christian
believes that the Moulin Rouge is dangerous. Christian's emotions are
further supported by the combined use of props and setting. For
instance, in Christian's flat, coats and alcohol are scattered across
the floor and desks implying that Christian has seemed to have “lost
hope” in his day-to-day actions. Christians “five o'clock beard”
and formal but dirty clothes also suggest this. In addition to these
three aspects, Ewen McGreggor portration of Christian hevely effects
the audience's view on the character. When Christian first arrives in
Paris, his facial expressions and the way he hold himself show the
audience that Christian is absorbing every detail of Paris. This
contrasting the present where his style of acting and voice-over show
the character's struggle to talk or even think about the Moulin
Rouge. All
the aspects of mise-en-sence in this scene show and enhance the
emotions of Christian at both the start of his journey and the end,
bringing a successful start to the film.
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